Binge-Watching This Year's Festive Features: The Good, The Bad and The So-Bad-It's-Good.
It is the time of year to slob out on the sofa and consume a box of mince pies in front of a terrific flick, a awful feature, or one that’s terrible yet terrific.
Once again, a crop of fresh holiday movies hopes to be part of our holiday traditions—maybe even joining the ranks alongside timeless staples like Home Alone, Elf, Love Actually, and Die Hard (we won’t debate it).
Thus, in a vital public service to separate the winners from the losers, and to find the Christmas spirit, I watched as many recent Christmas films as possible in a single day.
Early Morning: A Very Jonas Christmas Movie
Starting, ideally, on a good foot. This release is the sole 2025 entry on a famous website's list of the top 100 holiday films of all time.
The Jonas Brothers find themselves trapped in the UK after finishing their global concert series and must make it back for Christmas. Their attempts are thwarted by an villainous Saint Nick, who breaks into song to announce they won’t get home until they “find their familial spark.”
The repartee between the squabbling siblings is enjoyable even for the non-fan, while devotees will no doubt catch lots of references as they endeavor to get back using every mode of travel possible.
It’s private planes, trains and automobiles.
It’s not a timeless masterpiece, but is great for devotees and a positive start to the day.
Christmas tree rating: 🎄🎄🎄🎄🎄 for Jonas Brothers fans or 🎄🎄🎄 for their family members who will have to sit through it.
Late Morning: Tinsel Town
A-list actor Kiefer Sutherland has been cast as a celebrity tricked into a "panto".
“A what's a panto??” asks Sutherland’s “hard-to-work-with” and ageing lead Brad Mack, who has seen better days and whose representative has tricked him into thinking he’s performing in high-class London stage.
His Aladdin co-stars inform him he’s playing Buttons. “No I'm not,” he retorts. It's easy to predict their reply. Unless you’re ignorant of traditional British theatre traditions.
There are some hilarious moments, some heartwarming sub-plots, and the supporting actors is cracking, too.
It’s the kind of movie that would be a bit tacky at any other time of year, but is a lot of fun at Christmas.
Christmas tree rating: 🎄🎄🎄🎄
Mid-Morning: Christmas Karma
An actor pops up at the beginning of this film, too, calling someone a mug for the second consecutive movie. Might this become a new Christmas tradition?
This time, he’s a musical taxi operator who picks up Mr Sood, the newest interpretation on Mr Scrooge from Charles Dickens’ A Christmas Carol.
Mr Sood is played by The Big Bang Theory’s Kunal Nayyar and Christmas Karma is directed by the director of Gurinder Chadha. The well-known tale unfolds as the miserly Mr Sood is haunted by the apparitions of Christmas yesterday, today, and tomorrow, played by Hugh Bonneville, Billy Porter, and Boy George.
This cultural adaptation is at least different from all the others, but sadly he’s not very charismatic and Nayyar’s performance is wooden—a major flaw when he’s so the focal point.
Christmas tree rating: 🎄🎄
12.04pm - Stuffed
Before lunch for a channel's holiday special—which stars Guz Khan as a lovably grouchy guy who “doesn’t really do Christmas.”
But after he gets an £8,000 Christmas bonus at work, his wife (starring Morgana Robinson) convinces him splurging the cash on a holiday to Lapland.
There’s just one issue—he discovers there was an mistake with his bonus, which should have been £800, and he has to devise a plan for how to return the remainder.
Enjoyable but forgettable.
Holiday verdict: 🎄🎄
1.12pm - Champagne Problems
This is one of those holiday movies where the festive trappings are in the background—Christmas is the environment of the film rather than its core purpose—but it feels cosy and festive all the same.
High-powered businesswoman Sydney (starring Minka Kelly) is sent to a vineyard to do a deal for a sparkling wine company. En route, she meets a man in a literary haven who offers to show her a festive Paris.
An expert recently stated this is the finest new Christmas film of the recent era. That’s a bit of a exaggeration, but it is a festive dalliance with a touch of class and gives the required cozy feelings.
The scene with a extended debate about Die Hard is very good too.
Holiday verdict: 🎄🎄🎄
Mid-Afternoon: Finding Father Christmas
Sixteen-year-old Chris, played by Lenny Rush, refuses to stop believing in Father Christmas, in spite of the efforts of his dad (starring James Buckley) to tell him the truth.
The answer is out there, and Chris embarks on a quest to find it with the assistance of a panel of well-known experts and celebrities.
It’s understated but sweet, and perfect viewing while waiting for Santa to visit.
Holiday verdict: 🎄🎄🎄
Late Afternoon: Oh. What. Fun.
Michelle Pfeiffer is the head of a dysfunctional American family who come back together for the holidays—including other Oscar nominee Felicity Jones, Chloe Grace Moretz, Jason Schwartzman, and dad Denis Leary.
Pfeiffer begins by referencing classic festive films like National Lampoon’s Christmas Vacation, It’s A Wonderful Life and Home Alone, before saying: “They need to make a movie about the real champions of the holidays—moms.”
So that’s the premise, but in reality it’s really a combination of those forerunner films, at least until Pfeiffer’s character eventually takes center stage.
Holiday verdict: 🎄🎄
Formulaic Fun
The day’s gone downhill, but thankfully here’s a new entry in the crowded field of cliched, saccharine, over-the-top—and highly entertaining—holiday fare.
It’s a story as familiar as can be: An American woman goes on a quest to a far-off wintery locale and ends up stumbling across romance.
In this case, Caprice Bourret plays a publisher